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Home●Photos●Portraits

Photos: Portraits

  • TD in 2023 © Melanie Reinisch

    TD in 2023 © Melanie Reinisch

  • TD in 2023 © Melanie Reinisch

    TD in 2023 © Melanie Reinisch

  • TD in 2019: Thorsten Quaeschning, Hoshiko Yamane, Paul Frick Katja Ruge © Katja Ruge

    TD in 2019: Thorsten Quaeschning, Hoshiko Yamane, Paul Frick Katja Ruge © Katja Ruge

  • TD in 2016: Hoshiko Yamane, Thorsten Quaeschning, Ulrich Schnauss © Jim Rakete

    TD in 2016: Hoshiko Yamane, Thorsten Quaeschning, Ulrich Schnauss © Jim Rakete

  • TD in 2014: Ulrich Schnauss, Hoshiko Yamane, Thorsten Quaeschning, Edgar Froese © Andreas Müller

    TD in 2014: Ulrich Schnauss, Hoshiko Yamane, Thorsten Quaeschning, Edgar Froese © Andreas Müller

  • TD in 2011: Thorsten Quaeschning, Iris Camaa, Bernhard Beibl, Linda Spa, Edgar Froese © Andreas Müller

    TD in 2011: Thorsten Quaeschning, Iris Camaa, Bernhard Beibl, Linda Spa, Edgar Froese © Andreas Müller

  • TD in 1992: Jerome Froese, Linda Spa, Edgar Froese, Zlatko Perica © Jim Rakete

    TD in 1992: Jerome Froese, Linda Spa, Edgar Froese, Zlatko Perica © Jim Rakete

  • TD in 1988: Ralf Wadephul, Paul Haslinger, Edgar Froese © Jim Rakete

    TD in 1988: Ralf Wadephul, Paul Haslinger, Edgar Froese © Jim Rakete

  • TD in front of 'Palast der Republik' 1980: Johannes Schmoelling, Edgar Froese, Christopher Franke © Monique Froese

    TD in front of 'Palast der Republik' 1980: Johannes Schmoelling, Edgar Froese, Christopher Franke © Monique Froese

  • TD in Paris 1974 (Notre Dame): Edgar Froese, Peter Baumann, Christopher Franke © Marcel Fugère

    TD in Paris 1974 (Notre Dame): Edgar Froese, Peter Baumann, Christopher Franke © Marcel Fugère

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Does playing guitar still touch you as “deeply as it did” – in your own words – 40 years ago?

Answered by Edgar Froese

Yes, it does – but surprisingly it’s different. Many years back, playing guitar was really just linked to my ego. It sounds strange at first, but identifying yourself with what you do can easily get you into a trap of pure egotism. Inundated with flattery, you think that you are becoming a better, bigger, more accepted musician, and all of a sudden you feel as though you have reached the peak. Today I can see it all from a more distant perspective; it happens with all instruments I’m using. It’s just wonderful to be able to express yourself without putting the ego part up front. Often it’s like listening to another person and enjoying what you hear. The result is surprisingly quite distinct if you don’t try to force things to be the way you want them. You’re more guided by the energy of the tone and things aren’t ambiguous anymore. Today it’s more of a contemplative approach.

Bianca Froese-Acquaye
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