Tangerine Dream official website

Founded in 1967 by Edgar Froese in West-Berlin, Tangerine Dream was formative in the genre of electronic music. After Edgar Froese’s death in 2015, the band consists of Thorsten Quaeschning, Hoshiko Yamane and Paul Frick.

'50 Years of Phaedra: At The Barbican' to be released
First released in 1974, Phaedra redefined electronic music with its groundbreaking use of the Moog sequencer and a spirit of pure experimentation.
Fifty years later, Tangerine Dream revisited this landmark work in a transcendent live performance at London’s Barbican, reimagining Phaedra for a new era while staying true to its original vision.
See Upcoming Release
New Turin Session released
Captured live at Today’s Festival in Turin, Italy, this 51-minute session is a one-of-a-kind, real-time composition performed by the band.
Recorded on August 27, 2024, it distills the intensity, spontaneity, and collective energy of an unrepeatable moment.
New Session
Tangerine Dream - Itinerary: The Concert Memorabilia 1970-2014
This coffee-table book by Brad Duke is a painstakingly detailed and incredibly massive exhibit of Tangerine Dream's paper past.
'Itinerary' has a scope of about 452 pages, and contains over 1,100 images of TD's posters, tickets, passes, contracts, stage plots, telexes, etc. - all of which has been described by one of the world's leading collectors of music memorabilia to be 'the most astonishing collection of memorabilia by one band' he's ever seen!
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In most productions where you can hear songs you work only with women. Is there any reason for that?

Answered by Edgar Froese

I don’t know how other groups handle this, but we have experienced that working with women makes a very good atmosphere. There might be exceptions, but fortunately we have never had any real stress situations. According to our experience, women are much more disciplined workers. They never came to the recording dates without preparation. In the Dante Trilogy, however, there were also other reasons for working only with women, related to the pitches of the voice of alto, soprano and mezzo-soprano. Furthermore, it is an excellent way of understanding the intuition of women. But you must not try to stick to the archaic patterns of behavior that are common in most relationships. It’s not for nothing that Iris and Linda have been working with us as guest musicians for years. It is just very much fun, and at the same time we are doing professional work with them.

Bianca Froese-Acquaye

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